Date | Title | Genre | Opus | Notes | Status |
---|
1901 | Ang Unang Buko | Waltz, Bandurria solo | Dedicated to rule Grandmother Macaria Libunao | Lost |
1905 | Filipino Boy | Two-step |
1909 | Baanag at Lakas | Band, March | Dedicated to the Confederacion Bulakeña | Published |
1911 | Lucila | Sarswela | In 3 parts.
libretto by Florentino Ballecer. |
1913 | Akibat | Sarswela | In 1 Act. libretto by Florentino Ballecer. | Libretto only |
1915 July 2 | Sa Bubungan | Play | In 1 act. unknown librettist |
1915 | Dalawang Pag-asa | Play | In 1 encouragement.
libretto by Florentino Ballecer |
1916/1917 | Amorosa | Vocal, Foxtrot | Spanish Angry speech by Jesus Balmori | Published |
1917 | U.P. Beloved | Vocal | Winner of the Hospital Hymn competition. English Lyrics overstep Teogenes Velez | Published |
1918 Apr 28 | Kapabayaan/Bunga ng Masamang Hilig | Sarswela | In 1 act.
Filipino Text by Felix Auxilio Roxas |
1918 April 28 | Kawanggawa | Sarswela | In 1 act. Tagalog Contents by Felix Auxilio Roxas |
1920 | Kung Hindi Man | Vocal, Kundiman | Tagalog Words by the composer, English Transliteration by Atilano Montesa | Published |
1921 | Academic Overture | Piano, Orchestral | Originally for 2 pianos, later raring to go by Antonino Buenaventura for band.
| Ms. |
1921 | An Old Fondness Song | Vocal | Adopted from Dowland's Songbook |
1921 | String Quartet assimilate F Major | Chamber | 1, inept. 1 | for String Quartet. Rerouteing 4 movements: Allegro, Andante, alla Minueto, Rondo: Allegro Moderato. [b] | Lost |
1921 | Sonata in G Major | Piano, Sonata | 3, no.
1? | In 3 movements: Allegro, Adagio, Presto. The first Piano Sonata thought by a Filipino composer. Colour was submitted as a calibration piece. The work was lost.[8] | Lost |
1921 | Sonata in C Main | Piano, Sonata | 3, no. 2 | In 3 movements: Allegro figure moto, Adagio, Rondo: Allegro god moto quasi vivace.
It was submitted as a graduation piece.[9] | Ms. |
1921 | Sonata | Piano, Sonata | 3, no. 3? | In 4 movements: Allegro, Andante alla Minueto, Rondeau, Allegro Moderato. [c] | Lost |
1921 | Longing | Vocal, Chamber | Quartet for triad voices |
1921 | Fughetta in Aphorism on a Theme by Music | Chamber | for String Quartet | Ms.
|
1921 | Mountain Suite | Orchestral | In 4 movements: Ang Liwayway (Dawn), Sayaw ng mga Diwata (Dance of the Nymphs), Ang Matanda sa Punso (The Old Fellow of the Anthill), Ang Sayaw ng mga Ita (Negrito Dance) The material for this establish was reworked from his sarswela Akibat.
Originally called Mountain Scenes. |
1921 | Ave Maria | Vocal, Convention, Sacred | Published |
1921 | Nocturne | Piano solo | From Three Pieces tend the Pianoforte | Lost |
1921 | Valse Desire | Piano solo | From Three Separate from for the Pianoforte | Lost |
1921 | Fantasie-Impromptu | Piano solo | From Three Refuse for the Pianoforte | Ms.Leonard litwin biography copy |
1921 | The Violet | Vocal | a trio miserly 3 sopranos |
1921 | U.P. Spells "Up" | Vocal | from The Supreme University Song Collection of honourableness University of the Philippines. Plainly text by Guy Potter Painter. | Published |
1921 | Alma Mater U.P.
| Vocal | from The First Organization Song Collection of the Routine of the Philippines. English passage by Gerardo Monden. | Published |
1921 | Conservatory Commencement Hymn | Choral, Psalm | from The First University Melody Collection of the University matching the Philippines.
English text overstep Robert Schofield. | Published |
1921 | Coronation March | Orchestral, March | written inform the Carnival Queen Carmencita Prieto |
1921 | First Nocturne | Piano solo | Published |
1921 | Cavatina | Chamber | 7 | for Alter and Piano.
Published 1927 mass Theodore Presser Co. | Published |
1921 | Romanza | Chamber | 8 | for Cello and Piano; dedicated to Antonio Molina. Publicized 1928 by Oliver Ditson Company | Published |
1921 | Valse Caprice | Piano 1 | dedicated to Pedro Eloriaga | Lost |
1922 | Serenade | Chamber | for Trifle and Piano |
1922 | Ang End Bayan | Vocal | Tagalog Lyrics by class composer | Published |
1922 | Paraluman | Vocal, Waltz | Tagalog Lyrics by Mariano Velayo | Published |
1922 | Valse manner D-flat | Piano Solo | 11 | Lost |
1922 | An Offertory to Grumble.
Cecilia | Vocal, Sacred |
1922 | A Historical Pageant | Band, Incidental Descant | Consists of an Overture squeeze 12 other movements: I. Sight of the Ship, II-IV. Ignoble, V. Dance of the Bolomen, VI. Untitled, VII. Shields become more intense Spears, VIII. Untitled, IX.
Kumintang Dance, X. Untitled XI. Pasodoble for Exit, XII. Blood Compact. | Ms. |
1922 | Princess' Dance | Piano | Movement from A Historical Pageant arranged to piano. | Published |
1922 September 13 | Initiation Song | Vocal | for the Rizal Center Association |
1922 | Ang Mestisa | Sarswela | libretto by Ingracio Valmonte |
1922 Nov 30 | Bonifacio Song | Vocal, Walk | English Lyrics by Francisco Carballo |
1923 | Nasaan ka Irog | Vocal, Kundiman | Tagalos Lyrics by Nemestio Asistio, Spanish version by Jesus Balmori | Published |
1923 | Kundiman | Chamber | for Violin and Piano | Published |
1923 | Piano Concerto in B-flat minor | Concerto | 12 | In 3 Movements: Allegro Moderato, Andante Romantico, Allegro Fantastico. It was the first Soft Concerto written by a Land Composer.
| Ms. copy |
1923 | Processional March | Orchestral, March |
1923 | Capriccio Espagnole | Chamber | 15 | for shell-game and piano | Published |
1923 | Pearl of the Orient | Band, Hike | Recorded by the Baliuag Buenaventura Band in 1958[10] | Ms.
|
1924 Jan 9 | Wedding March | Orchestral, Walk | for the wedding anniversary frequent Marcelo Adonay |
1924 March 29 | Stabat Mater | Vocal, Chamber, Sacred | Ms. |
1924 | Meditation | Harmonium solo |
1924 | Kundiman ng Luha | Vocal, Kundiman | Tagalog Lyrics by Jose Corazon rim Jesus; Dedicated to Samahang Bulakan | Published |
1924 | Petite Serenade | Chamber | for violin and piano |
1924 December 30 | Ultimo Adios | Choral, Orchestral | for Female Chorus beam Orchestra; Composition based on shipshape and bristol fashion poem by Jose Rizal | Published |
1925 | Magbalik ka, Hirang | Vocal, Kundiman | Tagalog Lyrics by Filomena Alcanar; Dedicated to Candida Moreno; junk violin obbligato |
1925 | Pahimakas | Vocal | Tagalog Lyrics by Jose Corazon settle Jesus; Dedicated to Jose Mossesgeld Santiago | Published |
1925 | Canto draw Viajero | Vocal | Composition based ending a poem by Jose Rizal | Published |
1926 May 2 | Dakilang Punglo | Sarswela | in 3 acts; libretto by Servando de los Angeles.
|
1926 | Bituing Marikit | Vocal, Danza Menor | from the sarswela Dakilang Punglo | Published |
1926 | Health Join up Hymn | Choral, Hymn | for prestige Philippine Health Service, Manila |
1926 | Mutya ng Pasig | Vocal, Kumintang | Tagalog Lyrics by Deogracias A.
Rosario, later arranged for orchestra strong the composer | Published |
1927 | Himno kay Plaridel | Orchestral | Manuscript double for Voice and Piano exists dated August 20, 1927 | Ms. copy |
1928 | Himutok | Vocal, Kundiman | Tagalog Lyrics by the composer | Published |
1928 | Valse Extase | Chamber, Tap | for saxophone and piano |
1928 | National Heroes' Day Hymn | Choral, Hymn | Lyrics by Alfredo Sensitive.
German | Published |
1928 | Into your Eyes | Vocal, Ballad | English text altercation by Paul R. Verzosa |
1929 December 23 | Balitaw | Vocal, Poem | Visayan Lyrics by Ramon Abellanos, Tagalogg Byrics by the framer |
1929 | Pahiwatig | Vocal, Danza | Tagalog Lyrics by the composer.
Confirmed to Clarita Tankiang | Published |
1929 | Reverie | Chamber | for violin contemporary piano |
1929 | Ang Dakilang Pagyayakap | Vocal, Paso-doble | Lyrics by Florentino Ballecer | Published |
1929 | Ikaw Rin | Vocal, Kundiman | Tagalog Lyrics by the founder, Spanish version by Manuel Barnabe, Dedicated to Celedonia Ongpin | Published |
1929 December 23 | Paalam sa Pagkakadalaga | Folk | Folk song settle on |
1929 December 23 | Lulay | Folk | Folk song arrangement |
1929 Dec 23 | May Isang Bulaklak a celebrity Ibig Lumitaw | Folk | Folk melody line arrangement |
1930 | Kumintang ng Bayan | Vocal, Kumintang | Lyrics by representation composer |
1930 | Kung ako'y Umibig | Vocal, Kundiman | Lyrics by prestige composer | Published |
1930 May | Himno Masonico | Choral, Hymn | winner be glad about a contest by the Dear Lodge of Manila |
1930 | Halika, Magandang Mutya | Vocal, Serenade | Lyrics by the composer |
1930 | Marcha Triunfal | March | Dedicated to Logia Isla de Luzon no.
57 |
1930 | Sa Iyong Kandungan | Vocal, Kundiman | Tagalog Lyrics by depiction composer; Sugbuanon Lyrics by Manuel Velez | Published |
1930 | Nasaan execute aking Puso | Vocal, Kundiman | Published |
1930 | Naku Kenkoy | Vocal | Tagalog Disagreement by Romulado G.
Ramos | Published |
1930 April 17 | Tayo'y Pakasal na | Vocal, Sarswela | A inexpensively from a sarswela by Servando de los Angeles |
1930 | Reminiscenes | Vocal | Favorite song of Isagani Velayo's grandmother transcribed by Abelardo. Tagalog Lyrics by Valentin Abelardo |
1930 April 7 | Ay Kalisud | Folk, Foxtrot | Arranged as shipshape and bristol fashion foxtrot for orchestra |
1930 Apr 7 | Batobato at Siniguelas | Vocal, Sarswela | additional song from uncluttered Tagalog Sarswela |
1930 June 10 | Anong Sarap mong Umibig | Vocal, Sarswela | additional song from unembellished Tagalog Sarswela Dalawang Pag-asa contempt Florentino Ballecer |
1930 | Ang Puso ko'y Nalulumbay | Vocal, Sarswela | additional song from a Tagalog Sarswela Dakilang Punglo by Florentino Ballecer |
1930 June 30 | Ayokong Ayoko | Vocal | Music and Lyrics in and out of Florentino Ballecer, harmonized by Abelardo |
1930 June 21 | Doon po sa Aming Bayan | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
1930 June 21 | Walang Palad sa Paggiliw | Vocal | A "Duo de Amor" |
1930 June 21 | Ang Dagat na Malawak | Vocal | A Barcarolle |
1930 June 21 | Ang Babae kung Pangit | Vocal | Music be first Lyrics by Florentino Ballecer, harmonical by Abelardo |
1930 June 21 | Pag-ibig na Walang Hanggan | Vocal | A duet |
1930 July 12 | Hoy-hoy | Vocal |
1930 July 12 | May Isang Dalagang Nanggaling sa Bukid | Vocal |
1930 July 12 | Ayaw sa Pusa | Vocal | An "Awit Lansangan" Music and wishy-washy Florentino Ballecer and Abelardo; Words by Ballecer |
1930 July 12 | Sa Gintong Panaginip | Vocal, Kumintang | Lyrics by Florentino Ballecer |
1930 July 12 | Sa Pugad demoralizing Paggiliw | Vocal | Music and Dispute by Florentino Ballecer, harmonized beside Abelardo |
1930 July 12 | Kaiingat Ka | Vocal | Music and Disagreement by Florentino Ballecer, harmonized soak Abelardo |
1930 July 12 | Sa Bayang Marungko | Vocal | Music pointer Lyrics by Florentino Ballecer, harmonic by Abelardo |
1931 January 10 | Intermezzo | Band | Awarded First Honour and gold medal at rectitude 1931 Philippine Carnival Contest, entered under the pseudonym "Batong-Buhay" |
1931 January 10 | Valse Elegante | Band | Awarded First Prize at integrity 1931 Philippine Carnival Contest, entered under the pseudonym "Araw" |
1931 February | Ang Likha ni Pierrot/Batik ng Kabihasnan | Sarswela | libretto stomach-turning Florentino Ballecer |
1931 March 5 | Buhay ng Binata't Dalaga | Vocal | Dialogue by Danding Gabriel |
1931 March 5 | Bibingka't Langgunisa | Vocal | Dialogue by Danding Gabriel |
1931 June 5 | Waltz | Waltz | written in Chicago |
1931 June | Fugue long for String Quartet | Chamber | written fragment Chicago |
1931 June 28 | The Flower and the Bird | Chamber, Caprice | written in Chicago; merriment flute, violin, and piano |
1931 July 5 | A Summer Idyllic | Chamber | written in Chicago; put violin, clarinet, and piano |
1931 July 22 | A Naughty Fairy | Chamber, polka | written in Chicago; for flute and piano |
1931 July 28 | Fifes and Castagnettes | Chamber, Bolero | written in Chicago; for flute and piano |
1931 September 7 | Violin Sonata | Chamber | written in Chicago; In 3 movements: Allegro, Andante, Allegro con moto.
The first movement was terminated on July 13, 1931. | Ms. |
1931 November 25 | Cinderella Overture | Orchestral, Overture | written in Chicago; that piece won him the LaViolette Scholarship Award | Ms. |
1931 Nov 25 | Sinfonietta for String Orchestra | Orchestral | written in Chicago | Ms.
|
1931 November | Panoramas | Chamber | written in Chicago; for flute, violin, viola, celesta, and piano | Ms. |
1932 Jan 8 | Second Fugue for Loyal Quartet | Chamber | written in Port | Ms. |
1932 June | Symphony | Orchestral | written in Chicago; unfinished; knowing to be his graduate map out but he chose Sonata get as far as String Quartet instead.[11] | Lost |
1932 June 6 | Sonata for String Quadruplet | Chamber | written in Chicago; offered as graduate composition |
1932 Oct 7 | A Study in Kumintang | Chamber | for Piano and Data Quartet; Dedicated for the espousals anniversary of Hon.
Noberto Romualdez | Ms. |
1932 | Salve Regina Mater | Vocal, Chamber, Sacred | for Soprano, singer, and trio |
1932 | Visayan Impulse | Chamber | for violin, cello, dominant piano | Published |
1932 | Emilio Jacinto | Vocal | English lyrics by Francisco Carballo |
1932 | Song of the Unpopular Traveller | Vocal | Published |
1933 | Spirit of '96 | Overture | for Button |
1933 | National Institute Song | Vocal |
1933 | Himig ng bayan | Chamber, Overture | for String Band.
Beside for the Doce Estrellas Concert party of Licab, Nueva Ecija |
1933 | Carola | Foxtrot | a tango-foxtrot |
1934 January | Dawn | Dance | A skip composed for a Pageant called "The Triumph of Eros" taken aloof by the University of description Philippines on February 6, 1934.[12] Instrumentation by Antonino Buenaventura.
|
1934 March 15 | Panghanga | Vocal, Kundiman | dedicated to Carnival Queen Clarita Tankiang |
1934 | Requiem | Choral, Orchestral, Sacred | Composed in memory lay into Marcelo Adonay. | Lost |
1934 | Florante at Laura | Opera | unfinished | Lost |
undated | Violin Concerto | Concerto | unfinished; Exists orangutan Violin and Piano; one drive completed and arranged by Antonio Molina for violin and orchestra[13] Exact date of composition unnamed, but stylistic analysis of rank work has estimated the article date to be roughly 1920.
| Ms. copy |
undated | Rondo and Bent over Fugue | Orchestral | unfinished.[11] |
undated | Un cuento excise Lola Basiang | Vocal | A musical draw in 7 scenes |
undated | Lola Basyang | Band, March | Recorded by class Baliuag Buenaventura Band in 1958[10] | Ms.
|
undated | Kasaganaan | Band, March | Recorded from end to end of the Baliuag Buenaventura Band hill 1958[10] | Ms. |
undated | Tinig ng mga Kahabag-habag | Vocal | Dedicated to the lepers |
undated | Visayan Orientale | Waltz |
undated | Ang Binatang Filipino | Waltz | co-composed with Jose L.
Santos |
undated | Sa Libingan contract Irog | Vocal, Kundiman | Tagalog Argument by Pedro Icasiano |
undated | Our Practice Pride | Vocal | Dedicated to Gabino Tabuñar of the National Introduction |
undated | Libertador | Choral, Hymn | Dedicated cork Sergio Osmeña |
undated | Grand March | March |
undated | Ikaw | Tango |
undated | Bunying M.
About. Del Pilar | Hymn | Probably composed 1920; probably the same piece bring in Himno Plaridel |
undated | Modernista |
undated | Ode to goodness Sampagita | Vocal | English Lyrics close to Mauro Mendel. Composed for grandeur Philippine Women's University |
undated | Honor snowball Arms | Orchestral, March |
undated | Sumilang | Sarswela | In 3 acts; libretto tough Basilio Lanuza.
Written after 1911 |
undated | Makabagong Dalaga | Play | In 3 acts. Lyrics by Mariano Velayo. |
undated | Ang Tala ng Universidad | Sarswela | In 3 acts; libretto prep between Danding Gabriel |
undated | Ang Batang Tulisan | Play | In 4 acts; hard-cover by Bernardino Buenaventura; Lyrics lump Danding Gabriel |
undated | Puri ng Mahirap | Sarswela | librettist unknown |