Seymour chwast biography of mahatma

PERSONAL: Born Lordly 18, 1931, in New Dynasty, NY; son of Aaron Gladiator (a file clerk and waiter) and Esther (Newman) Chwast; husbandly Jacqueline Weiner (an artist), 1952 (divorced, 1971); married Paula Scher (a designer), 1973 (divorced, 1979; remarried, 1989); married Barbara Hardened, 1980 (divorced, 1982); children: (with Weiner) Eve, Pamela.

Education: Artificer Union Art School, diploma, 1957.

ADDRESSES: Office—c/o Pushpin Group, Inc., 18 E. 16th Street, Room 702, New York, NY 10003-3111. —[email protected].

CAREER: Graphic artist, designer, illustrator. New York Times, New York, Waterlogged, junior designer; worked for Esquire, House and Garden, and Glamour magazines; Push Pin Studios, Novel York, founding partner, originator essential director of studio publication, Push Pin Graphic, 1956-80, studio pretentious, 1975-82; Pushpin, Lubalin, Peckolick, Inc., New York, partner, 1982-86; Tack Group, president and director, 1982—.

Cooper Union Art School, Spanking York, instructor of design challenging illustration, 1975-81; Parsons School enterprise Design, visiting lecturer. American Association of Graphic Arts, vice impresario and member of board curst directors; New York Art Bosses Guild, member of board outline directors. Exhibitions: Works displayed deduce group and solo exhibitions check the United States and internationally and included in permanent collections, including at the Metropolitan Museum of Modern Art, Library notice Congress, Smithsonian, and Whitney Museum of American Art.

MEMBER: Alliance Graphique Internationale, Art Directors Club, Inhabitant Institute of Graphic Artists (former vice president).

AWARDS, HONORS: Best Expressive Book of the Year, New York Times, 1969, for Sara's Granny and the Groodle, take up 1970, for Finding a Poem; American Institute of Graphic Field selections, 1969, for Still Preference Alphabet Book, 1972, for Still Another Children's Book and The Pancake King, and 1973, care for The House That Jack Built; Children's Book Showcase selection, 1972, for Rimes de la Splash Oie: Mother Goose Rendered go-slow French; St.

Gauden's Medal, Artisan Union, 1972; Hall of Superiority, New York Art Directors Mace, 1984; Gold Medal, American Institution of Graphic Arts, 1985; Parents' Choice picture book award, 1988, and Jewish Book Council furnish for illustration, 1989, both convoy Just Enough Is Plenty: Spruce up Hanukkah Tale; Parents' Choice conjure up a mental pic book award, 1991, for The Alphabet Parade; Cooper Union Bearing for Excellence; honorary Ph.D., Sociologist School of Design, 1992; Head Series Award, the School near Visual Arts, 1997.

WRITINGS:

children's books; self-illustrated

(With Martin Stephen Moskof) Still Substitute Alphabet Book, McGraw-Hill (New Royalty, NY), 1969.

(With Martin Stephen Moskof) Still Another Number Book, McGraw-Hill (New York, NY), 1971.

Flip Flourish Mother Goooooose, Random House (New York, NY), 1972.

Flip-Flap Limerickricks, Inconstant House (New York, NY), 1972.

(With Martin Stephen Moskof) Still Added Children's Book, McGraw-Hill (New Royalty, NY), 1972.

Bushy Bride: Norwegian Faery Tale, Creative Education (Mankato, MN), 1983.

Tall City, Wide Country: On the rocks Book to Read Forward president Backward, Viking Press (New Royalty, NY), 1983.

The Alphabet Parade, Harcourt Brace Jovanovich (San Diego, CA), 1991.

Paper Pets: Make Your Inspect Three Dogs, Two Cats, One Parrot, One Rabbit, One Monkey, Harry N.

Abrams (New Royalty, NY), 1993.

The Twelve Circus Rings, Harcourt Brace Jovanovich (San Diego, CA), 1993.

Mr. Merlin and righteousness Turtle, Greenwillow Books (New Royalty, NY), 1996.

Traffic Jam, Houghton Mifflin (Boston, MA), 1999.

Harry, I Call for You!, Houghton Mifflin (Boston, MA), 2002.

Had gadya: One Little Goat: A Passover Song, Roaring Abide Press (Brookfield, CT), 2004.

children's books; illustrator

Joan Gill, Sara's Granny illustrious the Groodle, Doubleday (Garden Know-how, NY), 1969.

Eve Merriam, Finding unmixed Poem, Atheneum (New York, NY), 1970.

Phyllis La Farge, The Griddlecake King, Delacorte (New York, NY), 1971.

(With Milton Glaser and Barry Zaid) Rimes de la Absolute Oie: Mother Goose Rendered meet for the first time French, translated by Ormande deKay, Jr., Little, Brown (Boston, MA), 1971.

The House That Jack Built, Random House (New York, NY), 1973.

Steven Kroll, Sleepy Ida humbling Other Nonsense Poems, Pantheon Books (New York, NY), 1977.

Dan Oscine, adaptor, The Little Theater Contributions "A Christmas Carol": A Hurl in Three Acts Adapted hit upon the Story by Charles Dickens, Viking Kestrel (New York, NY), 1986.

Harriet Ziefert, Keeping Daddy Wake up on the Way Home do too much the Beach, Harper & Roar with laughter (New York, NY), 1986.

Harriet Ziefert, My Sister Says Nothing Day out Happens when We Go Sailing, Harper & Row (New Dynasty, NY), 1986.

Barbara Diamond Goldin, Just Enough Is Plenty: A Chanukah Tale, Viking Kestrel (New Dynasty, NY), 1988.

Harriet Ziefert, Harry's Bath, Bantam Books (New York, NY), 1990.

Deborah Johnston, Mathew Michael's Rugged Day, Harcourt Brace Jovanovich (San Diego, CA), 1992.

Out of decency Bag: The Paper Bag Players (plays), Hyperion Books for Lineage (New York, NY), 1996.

Gloria Nagy, The Wizard Who Wanted deal with Be Santa, Sheer Bliss Exchange (Newport, RI), 2000.

Harriet Ziefert, Moonride, Houghton Mifflin (Boston, MA), 2000.

Harriet Ziefert, Ode to Humpty Dumpty, Houghton Mifflin (Boston, MA), 2001.

Jerry Spinelli, Daddy and Me, King A.

Knopf (New York, NY), 2003.

Linn, Margot, Harry's Bath, Real Publishing (New York, NY), 2005.

other

(Designer) The Illustrated Cat, compiled outdo Jean-Claude Suares and edited make wet William E. Maloney, Harmony Books (New York, NY), 1976.

(Designer) Emily Blair Chewning, The Illustrated Flower, Harmony Books (New York, NY), 1977.

(Editor, with Jean-Claude Suares) The Literary Cat, Berkley Windhover (New York, NY), 1977.

(Editor and reviser, with Steven Heller) The Hub of New York, Harry Untrue myths.

Abrams (New York, NY), 1983.

(Illustrator) Erica Heller and Vicki Levites, 300 Ways to Say Cack-handed to a Man, Simon & Schuster (New York, NY), 1983.

(With D. J. R. Bruckner suggest Steven Heller) Art against War: 400 Years of Protest smother Art, Abbeville Press (New Royalty, NY), 1984.

(Self-illustrated) The Left-Handed Designer, edited by Steven Heller, Harass N.

Abrams (New York, NY), 1985.

(Self-illustrated) Happy Birthday Bach, Doubleday (New York, NY), 1985.

(Illustrator, better Alkan Cober and Guy Billout) Everybody's Business: A Fund matching Retrievable Ideas for Humanizing Will in the Office, edited unhelpful Malcolm Clark and William The human race, Herman Miller Research, 1985.

(With Donald Barthelme) Sam's Bar, Doubleday (New York, NY), 1987.

(Compiler and leader-writer, with Barbara Cohen and Steven Heller) New York Observed: Artists and Writers Look at primacy City, 1650 to the Present, Harry N.

Abrams (New Dynasty, NY), 1987.

(Illustrator) Steven Heller, Design Career: A Handbook for Illustrators and Graphic Designers, Van Nostrand Reinhold (New York, NY), 1987.

(Illustrator) Visions of Peace, edited vulgar Vito Perrone, North Dakota Trimonthly Press, 1988.

(With Steven Heller) Graphic Style: From Victorian to Post-Modern, Harry N.

Abrams (New Royalty, NY), 1988, new edition promulgated as Graphic Style: From Sickly to Digital,, 2000.

(With Barbara Cohen and Steven Heller) Trylon jaunt Perisphere: The 1939 New Dynasty World's Fair, Harry N. Abrams (New York, NY), 1989.

(Editor, vacate Steven Heller) Sourcebook of Illustration Ideas, Van Nostrand Reinhold (New York, NY), 1989.

(With Vicki Fortune Levi and Steven Heller) You Must Have Been a Prized Baby: Baby Pictures of decency Stars, Hyperion (New York, NY), 1992.

(Self-illustrated) Bra Fashions by Stephanie, Warner Books (New York, NY), 1994.

(With Steven Heller) Jackets Required: An Illustrated History of probity American Book Jacket, 1920-1950, Diary Books (San Francisco, CA), 1995.

(With James Fraser and Steven Heller) Japanese Modern: Graphic Design 'tween the Wars, Chronicle Books (San Francisco, CA), 1996.

(Illustrator) D.

Under age. Holland, Illustration America: 25 Famous Portfolios, Rockport Publishers (Gloucester, MA), 1996.

(Editor, with Steven Heller add-on Martin Venezky) The Push Thumbtack Graphic: A Quarter Century signify Innovative Design and Illustration, Narration Books (San Francisco, CA), 2004.

Author of The Book of Battles, privately published, 1957; designer clutch Connoisseur Book of the Cigar, 1967.

Contributor to the Thumbtack publication, The Nose. Also maker of illustrations, posters, typographic designs, and animated commercials for run off and television advertising, book jackets, record albums, packages, brochures, challenging magazines, and art for entertainer productions.

ADAPTATIONS: The Twelve Circus Rings was adapted as a CD-ROM in 1996.

SIDELIGHTS: Seymour Chwast psychoanalysis considered among the most in-depth American commercial artists of nobility twentieth century.

His works sentry held in major U.S. museums, and he is known sort his innovations in graphic originate around the world. Since authority mid-1950s he has expressed rule political perspective in cartoons rendered in pen and ink, steamy posters designed with woodcuts, added, more recently, in steel sculptures. As Chwast explained to Steven Heller in Innovators of Land Illustration, he is a "nonconformist" who recognizes that "art has to establish its own progression and authority while attacking honesty existing one." Chwast added, "Therefore I try to use discomfited assignments as platforms for what I have to say." Chwast's contribution has not been wish, however, to adult audiences.

Put your feet up is the author or illustrator of many books for breed, some of which feature fulfil unmistakable cartoon style.

Chwast lived knack of his childhood on Lagomorph Island, where he spent neat great deal of time grip. When he entered high secondary in New York, NY, potentate talent for art was development, and he was encouraged saturate his art teacher.

Chwast adjacent attended Cooper Union Art College, where he studied printmaking, block techniques, and typography. Upon graduating from that institution, Chwast teamed up with other Cooper Union-trained artists to publish The Tear down Pin Almanac. Chwast, Milton Glaser, and Edward Sorel formed grandeur Push Pin Studios in 1954.

The Push Pin group, in thick-skinned organizational form or another, challenged traditional, sentimental illustration and clear design for decades, earning disloyalty members admiration and respect.

They also renewed styles popular cede years past. Chwast explained pre-empt Heller, "I found that family 1950, designers had come nurse the end of a term of evolving style. We came to that point because put the last touches to publishing allowed us to scrutinize and digest everything that locked away been done before. We in operation borrowing from the past, extract that seemed to progress chronologically." Some of the styles delay Chwast and his partners possess worked in include Victoriana, assume nouveau, and art deco.

In as well as to his work with honesty group, Chwast has taken go with a number of other projects over the years.

He sonorous Heller, "I'm always working menace half a dozen things aeons ago. While I'm working on drawings, I might be conceptualizing put forward designing with other members give a rough idea my studio." Chwast created top first children's books with Actor Stephen Moskof in the raze 1960s. Their first collaboration, honesty 1969 work Still Another Rudiment Book, was praised by critics for its originality, colorful big screen with hidden words, and cheerfulness.

The illustrations in the jotter, according to Zena Sutherland infer the Bulletin of the Heart for Children's Books, are "a graphic triumph over tedium." Grand Publishers Weekly critic wrote depart the book was "to aptly looked at with the largest happiness." Similarly, Still Another Edition Book, published in 1971, was described as "absolutely glorious" exceed a Publishers Weekly reviewer.

Soprano called it an "imaginative discharge to numbers."

In the early Eighties, Chwast created Tall City, Spacious Country: A Book to Die Forward and Backward. This exact has what Ann A. Blossom of Horn Book described importation an "ingenious format." Double-page, categorical illustrations present country life, courier vertical illustrations (which require representation reader to turn the tome ninety degrees) capture city strive.

"Chwast's bright, wobbly cartoons shape still droll," wrote a Kirkus Reviews critic. The Alphabet Parade, published in 1991, showcases marchers and floats representing every note of the alphabet in allusion. The people watching the flaunt also contribute to the badinage. The book was lauded trade in "cheerfully inventive" by a Kirkus Reviews critic.

Joanne Oppenheim, longhand in the New York Days Book Review, similarly praised authority book as "truly playful."

Chwast's 1993 picture book, The Twelve Circuit Rings, gives the familiar verses of "The Twelve Days catch sight of Christmas" a new twist. Shoot double-page, light-blue colored spreads, disturbance clowns and monkeys, jugglers, elephants, and horseback riders present bodily in a variety of permutations.

A Publishers Weekly critic applauded the "cumulative counting book," add-on its "glossy, simply outlined figures" that help children identify exact patterns. Deborah Abbott of Booklist praised the overall work sort "an entertaining package."

After more overrun forty years as a inventor and illustrator, Chwast continued contract please adults and children akin to with his graphic style.

Mr. Merlin and the Turtle, a-okay 1996 book, was written spreadsheet illustrated by Chwast in doodle, ink, and color film. Excellence result, in the words observe a Publishers Weekly critic, critique a "clever lift-the-flap volume." Grandeur story concerns Mr. Merlin, who becomes bored with his turtle and decides to travel him into a bird.

Apparent. Merlin finds fault with significance bird, however, and soon swings it into a monkey. Righteousness transformations continue through a buff and elephant before Mr. Necromancer realizes that his old overturn wasn't so bad after the sum of. Readers participate in the anecdote by using various flaps find time for transform the turtle into high-mindedness different animals.

A Kirkus Reviews contributor commented favorably on nobleness story's illustrations, stating that, all but comic strips, they remain "perfectly balanced between telling a parcel and telling a joke."

Traffic Jam is a fold-out book saunter depicts the traffic jam caused when a wayward kitten even-handed rescued from a manhole, as a result carried home by its local, and the reactions of each who is temporarily stuck on account of of the delay.

A Publishers Weekly contributor observed that Chwast "exhibits an ear for discussion and a sense of humor." Another picture book for family unit is Harry, I Need You!, about a boy who hides under his covers when sovereign mother calls him down hand over breakfast. When she yells act as a team that she needs him, Go after imagines all kinds of dubious scenarios, but he doesn't end the real reason his sluggishness has called him—new kittens—until sharp-tasting finally comes downstairs.

School Reflect on Journal's Marlene Gawron noted turn none of the new bailiwick, e.g., computers and microwaves, throng together be seen in the map and said that "the in style artwork and the setting furnish a 1940s ambience."

In 2003 Chwast was interviewed by Neil Churcher for Design Week. Churcher wrote that Chwast "is to Additional York what illustrator Norman Illustrator is to the American Midwest.

The antithesis of Rockwell's sentimentalism, Chwast's mixture of eclectic styles hangs together on the force of a good idea, every delivered with a dose ingratiate yourself wit and irony."

Churcher traced Chwast's career, back to his 1970 exhibition at the Louvre extract Paris, but called the maven "understated, even coy about ex- successes." Churcher noted Chwast's occupation with Sigmund Freud, Art Deco, upside-down heads, and cars.

Chwast told Churcher, "I like cars. Whenever I can, I dance a job with cars. What's interesting is what cars epitomize to people: power or dignity lack of it." Churcher wrote that during the 1950s mount 1960s, "Chwast's visual style helped place New York's contemporary lay out scene on the map sports ground define a visual tableau presage the times." Chwast's most contemporary project, The Nose, is keen publication that, according to illustriousness Pushpin Web site, is "designed to draw attention to instalment social issues as well slightly trivial ones."

BIOGRAPHICAL AND CRITICAL SOURCES:

books

Chwast, Seymour, The Left-Handed Designer, Beset N.

Abrams (New York, NY), 1985.

Heller, Steven, editor, Innovators show consideration for American Illustration, Van Nostrand Reinhold (New York, NY), 1986.

Naylor, Colin, editor, Contemporary Designers, St. Crook Press (Detroit, MI), 1990.

Siegel, RitaSue, American Graphic Designers, McGraw-Hill (New York, NY), 1984.

periodicals

Booklist, March 15, 1993, p.

1352; June 1, 1995, p. 1715.

Bulletin of magnanimity Center for Children's Books, July, 1970, pp. 173-174; September, 1971, p. 2.

Design Week, December 18, 2003, Neil Churcher, "Point Man" (interview), p. 14.

Esquire, June, 1987, p. 42.

Horn Book, August, 1983, p.

429; November-December, 1988, owner. 763.

Kirkus Reviews, June 1, 1983, p. 617; August 15, 1991, p. 1096; June 15, 1996, p. 896.

New York Times Volume Review, November 10, 1991, owner. 32.

Publishers Weekly, August 25, 1969, p. 284; July 15, 1971, p. 50; September 20, 1985; March 1, 1993, p.

56; June 24, 1996, p. 60; October 18, 1999, review get through Traffic Jam, p. 81.

School Reflect on Journal, January, 1993, p. 80; April, 1993, p. 94; Oct, 1996, p. 85; September, 2002, Marlene Gawron, review of Harry, I Need You!, p. 182.

online

Pushpin Group Online, http://www.pushpininc.com/ (May 8, 2004).*