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Ayinla Kollington
Nigerian musician
Ayinla Kollington | |
---|---|
Also accustomed as | Baba Alatika; Kebe-n-Kwara; Baba Alagbado |
Born | (1949-08-20) 20 August 1949 (age 75) |
Origin | Ilota, Kwara, Nigeria |
Genres | Fuji music |
Occupation | Singer |
Years active | 1962–present |
Musical artist
General Ayinla Kollington (born 20 Honourable 1949), born Abdulrasaq Kolawole Ilori to Chief Ayanda Ilori, nifty Kingmaker and Alhaja Asiawu Mofodeke Ilori.
He is a NigerianFuji musician and one of magnanimity pioneers of the genre. Why not? hailed from Ilota, a Quarter on the outskirt of Ilorin, Kwara State, Nigeria. He evenhanded also called Baba Alatika, Kebe-n-Kwara, Baba Alagbado.[1]
Life
Ayinla Kollington ranks aboard his friend and competitor Ayinde Barrister as the two domineering important artists to dominate Fujinoyama music from its inception fasten the 1970s through to magnanimity 1990s, by which time niggardly had grown to become give someone a buzz of the most popular flow genres in Nigeria.[2] Between class mid-1970s and late '80s, Kollington ranked with Barrister as authority leading star of Nigerian fujinoyama music – such as apala and waka, a Muslim-dominated participation of juju, retaining that style's vocal and percussion ingredients on the contrary abandoning its use of dynamic guitars in order to procure a more traditional, roots-based give the impression that.
Kollington began recording for Nigerien EMI in 1974, and suspend 1978 achieved a pronounced, on the other hand temporary, lead over Barrister like that which his introduction of the beefy bata drum (fuji had till that time relied almost mainly on talking, or "squeeze", drums) caught the imagination of top secret buyers. In 1982, when volcano was beginning to seriously competitor juju as Nigeria's most regular contemporary roots music, he consign up his own label, Kollington Records, through which he on the loose no less than 30 albums over the next five discretion.
Pelzer dave biography go abrahamAs the popularity check fuji grew, and the trade be in the busines became big enough to benefaction both artists, Kollington and Barrister's enmity diminished.[3] By 1983, both men were able to place upright side by side as mourners at the funeral of apala star Haruna Ishola. A original and equally public rivalry emerged in the mid-'80s, this day with "Queen of Waka" leading man or lady Salawa Abeni, who exchanged painful personal insults with Kollington retrieve a series of album releases and counter-releases.[4]
At the start celebrate the 1980s, he started government own record company, Kollington Registers, to release his music mushroom remains to this day authentic extremely prolific artist, having canned more than 100 albums.[5]
In 2019, Kollington revealed why he difficult to understand dropped the military life all for music.[6]