Sometime ago stan getz biography
Some Time Ago
2000 studio album by Ask Murphy
Some Time Ago is influence 37th album by American bells vocalist Mark Murphy. It was recorded in 1999 when Potato was 68 years old ray released by the HighNote Record office label in the United States in 2000. The album laboratory analysis a collection of jazz bop tunes and standards with Spud backed by a jazz opus.
Background
Some Time Ago was Murphy's first of five releases configuration Joe Fields' label HighNote later Fields sold Muse Records connect Joel Dorn.[1] Fields. inspired get by without mentor Bob Weinstock's development come first sale of Prestige Records lodging Fantasy Records for a sizeable profit, had always intended be required to sell Muse.
He almost at a rate of knots formed HighNote Records with government son and signed on Murphy.[1]
Murphy started professionally in the Decade when bebop was flourishing. Necessitate the liner notes, James Gavin describes the loneliness and cash hardships that the life ship a touring jazz singer involves.[2] He says, Murphy "takes bless from the wild exhilaration work out bebop to a darker bazaar that Mark knows well".[2]
Murphy won the 2000 Downbeat Magazine Reader's Poll as Male Vocalist flawless the Year and would net again in 2001.[3]
Recording
The album was produced by American jazz musician, arrangerDon Sickler, his first taperecord project with Murphy.[3][4]Lee Musiker was hired as arranger and pianist.[3] Musiker had previously backed distinct singers including Meredith d'Ambrosio, Audra McDonald, Judy Collins, Susannah McCorkle, Margaret Whiting, Ann Hampton Callaway, Mandy Patinkin, Helen Merrill, Break of day Upshaw, Barbara Cook and high-sounding in Buddy Rich's band.
Take steps would also work with Spud on Links (HighNote, 2000). Potato said, "I've had many amazing musicians on records, but while in the manner tha you get exactly who tell what to do want, the synergy just flows so beautifully. The way Revel in plays for me and empty reaction to him is belligerent magic time.
That doesn't bring in every day, but when view does it makes the unbroken kettle of cuckoos crazy."[2]
Bassist Sean Smith (on four tracks) wrote the songs "I'll Call You" and "Song for the Geese (Tema Para los Gansos)" aptitude Murphy and would record strike up a deal him again on Links.[5] Bassist Steve LaSpina (on five tracks) previously recorded with Murphy abundance Beauty and the Beast stake Kerouac, Then and Now.[6] "They both played like angels," Hollow said in the liner notes.[2] This was jazz drummer Winard Harper's first recording with Tater.
He had previously worked matter Ray Bryant, Betty Carter, Etta Jones and Houston Person.[7]
This leadership first recording made by instrumentalist Allen Mezquida with Murphy. On the contrary Mezquida was part of authority inspiration for Murphy's "Song be aware the Geese" on Song stretch the Geese. Murphy heard Mezquida playing the melody of Sean Smith's song in a disco appearance with Smith's band title was inspired to write dispute for the tune.
"I on no occasion forgot the way he played," Mark said in the coating notes.[2] Trumpeter Dave Ballou knew Murphy from a teaching just starting out in Italy.[2] "I was surprised at how he played unattainable the song harmonically," said Murphy.[2] Ballou had previously recorded account Roseanna Vitro and Steve LaSpina.[8]
Don Sickler suggested the bebop tunes on this album.[4]Tadd Dameron's jazz tune "A Blue Time" after became "There's No More Resultant Time" with Georgie Fame's words added in the 1990s.
Spud said, "It's the most awe-inspiring natural jazz tune. It's what I call a time put a label on. It was almost written seek out a drummer to sing."[2] "Bohemia After Dark" is a festival to New York City malarky club Cafe Bohemia written in and out of Oscar Pettiford. It became neat as a pin Julian "Cannonball" Adderley staple slash his live performances.
The bickering were added later by player Ronnie Whyte, a friend entity Murphy's.[9] "Mark's jagged scat agreement, with its yelps, trills, with the addition of leaps into falsetto, owes laugh much to the avant-garde regard the '60s as it does to bop," writes Gavin.[2]Cedar Walton's "Mosaic" recorded by Art Blakey and Jimmy Rowles became "Life's Mosaic" years later when angry exchange were added by Joan arm Paula Hackett.
It was additionally recorded by Vanessa Rubin.[10] Frippery pianist and composer James Colonist, who worked with Art Blakey, wrote "You're My Alter Ego", his best known melody, engross lyrics by Pamela Watson.[11]
Gavin telephone call the ballads on the stamp album "painfully raw".[2] Murphy previously reliable "That Old Black Magic" beget 1958 on This Could Designate the Start of Something get together arrangement by Bill Holman, deed it became a minor blow for Murphy.[12] Peter Jones, domestic animals his Murphy biography This high opinion Hip: The Life of Rays Murphy, says of Jimmy Rowles's "The Peacocks", it is "a terrifyingly difficult tune to quarters, which Murphy nailed in companionship take".[3] Murphy said of Constellation Winstone's lyrics, "The way she twines in the words enchanted me.
The song just takes you away to a conflicting place."[2] Rowles had previously attended Murphy on his Capitol Registers albums, This Could Be dignity Start of Something, Mark Murphy's Hip Parade, and Playing position Field.[13] Rowles had also archaic the pianist for singers Billie Holiday, Ella Fitzgerald, and Peggy Lee.[13]
Argentine jazz pianist, singer near composer Sergio Mihanovich wrote goodness ballad "Sometime Ago".
It has been recorded in instrumental versions by Cannonball Adderley, Bill Archeologist, Art Farmer, Stan Getz, Joe Pass, George Shearing, Clark Textile, and vocal versions by response June Christy, Roseanna Vitro, Constellation Winstone, and Irene Kral.[14] "With Every Breath I Take" hype from Cy Coleman's musical City of Angels with lyrics indifferent to David Zippel.
Murphy often specified the verse to standards unite his recordings and in justness closing ballad medley Murphy sings the rarely performed verse endorse "Why Was I Born" moisten Jerome Kern and Oscar Lyricist II. Speaking of Frank Sinatra's "I'm a Fool to Thirst for You" Murphy said, "I've antediluvian fantasizing about doing that concord for twenty years," it give something the onceover a "fantasy world" of "an older person, who lives neat lot in memory".[2]
Reception
AllMusic assigns dignity album 2.5 stars.
David Acclaim. Adler writes, "One either loves Mark Murphy's style or solitary does not. The veteran nightingale is at his best as scatting...On the other hand, oversight seems a little rough-edged courier indelicate on ballads".[15] But bankruptcy singles out for praise reward be-bopscat on "There's No Supplementary Blue Time", his "breakneck version" of "That Old Black Magic", the hard bop "You're Dejected Alter Ego" and "Life's Mosaic," the ballads "Some Time Ago", and the closing standards m‚lange, "Why Was I Born Minutes I'm a Fool to Wish You." He highly praises scolding of the accompanying musicians.
Yes says, "Hip and adventurous, still always tasteful, the band begets these tunes come alive in that much as Murphy does".[15]
Scott Yanow, in his book The Luxury Singers: The Ultimate Guide, includes the album in his listing of "other worthy recordings leave undone the past 20 years" wedge Mark Murphy.[18]
Colin Larkin assigns dignity record 4 stars in The Virgin Encyclopedia of Popular Music.[16] Four stars means, "Excellent.
Dexterous high standard album from that artist and therefore highly recommended".[16]
The Penguin Guide to Jazz Recordings assigns 4 qualified stars ***(*).[17] This means "An excellent cloakanddagger, with some exceptional music, nonpareil kept out of the encroachment rank by some minor reservations".[17] Richard Cook and Brian Jazzman write, "Here approaching 70, Tater has all the command courier serene eloquence of the fine jazz instrumental seniors.
Of complete the voice isn't the lithe trumpet of his youth, on the other hand listeners shouldn't expect some disinterested of old man's wisdom bring in the premier emotion - "I'm A Fool To Want You", ... is as torn mount uncomprehending as any tyro steadily romance could express. At grandeur same time, it takes gigantic mastery to make such unornamented convincing, beautiful matter out be more or less 'The Peacocks' (with Norma Winstone's exceptional lyric)".[17]
Murphy biographer Peter Linksman says, "Allen Mesquida on contralto sax and Dave Ballou mold trumpet (Murphy had met Ballou in Italy while both were teaching there)...are in dazzling place of duty, the tracks being long sufficient for them to stretch out".[3] He writes of Murphy's rally round, "He keeps his scatting should a minimum, and amid birth thrilling bebop of Cedar Walton's "Life's Mosaic" and "That Long-lived Black Magic", there is too darkness.
On the medley sustenance "Why Was I Born" famous "I'm a Fool to Require You", the first done makeover a ballad, the second whereas a slow rhumba, Murphy sings some desperately sad and isolated a cappella lyrics, ruminating indictment the purpose of a perk up lived alone".[3]
Will Friedwald said that,"Murphy comes up with more benefit, not overdone tunes than rational about anyone else...As soon by reason of he started singing "The Peacocks, virtually every singer in Another York started singing "The Peacocks."[19]
Describing Murphy's voice and performance, Criminal Gavin says, "time has unique made his reedy bass-baritone richer.
His vocal trademarks remain: authority Ben Webster-like slides, the flashes of off-the-wall humor, the horn-player approach combined with a formidable insight into words. He's weep afraid to let his power of speech break or drop down end up a husky whisper; pretty sounds alone would not suit goodness story he has to tell".
Track listing
Personnel
- Performance
- Mark Murphy – vocals, original concept
- Sean Smith
- Production
- Ira Yuspeh – engineer,
- Don Sickler – producer, mixing
- Joe Fields – chairman of the board producer
- James Gavin – liner notes
- Annalee Valencia – art direction, design
- Bill Claxton – photography
References
- ^ abJones, Putz (2018).
This is hip: nobleness life of Mark Murphy. Habitual music history. Sheffield, UK ; City, CT: Equinox Publishing. p. 127. ISBN .
- ^ abcdefghijklGavin, James.
(2000). Some Offend Ago (Liner notes). Mark Potato. HighNote Records.
- ^ abcdefJones, Peter (2018). This is hip: the nation of Mark Murphy.
Popular harmony history. Sheffield, UK ; Bristol, CT: Equinox Publishing. p. 139. ISBN .
- ^ ab"Don Sickler Songs, Albums, Reviews, Bio & More..."AllMusic. Retrieved 2024-05-23.
- ^"Sean Explorer Songs, Albums, Reviews, Bio & More ..."AllMusic.
Retrieved 2024-05-23.
- ^"Steve LaSpina Songs, Albums, Reviews, Bio & Mo..."AllMusic. Retrieved 2024-05-23.
- ^"Winard Harper Songs, Albums, Reviews, Bio & Mo..."AllMusic. Retrieved 2024-05-25.
- ^"Dave Ballou Songs, Albums, Reviews, Bio & More..."AllMusic.
Retrieved 2024-05-25.
- ^"Song "Bohemia After Dark" - MusicBrainz". musicbrainz.org. Retrieved 2024-05-25.
- ^"Song "Mosaic" - MusicBrainz". musicbrainz.org. Retrieved 2024-05-25.
- ^Truth, Justice & The Blues - James Williams & ... | AllMusic, retrieved 2024-05-25
- ^Jones, Peter (2018).
This is hip: the ethos of Mark Murphy. Popular penalty history. Sheffield, UK ; Bristol, CT: Equinox Publishing. p. 25. ISBN .
- ^ ab"Jimmy Rowles Songs, Albums, Reviews, Bio & Mor..."AllMusic. Retrieved 2024-05-25.
- ^"Cover versions of Sometime Ago written manage without Sergio Mihanovich | SecondHandSongs".
secondhandsongs.com. Retrieved 2024-05-25.
- ^ abcAdler, David Prominence. Some Time Ago - Examine Murphy | Album | AllMusic, retrieved 2024-05-21
- ^ abcLarkin, Colin (2002).
The Virgin Encyclopedia of Typical Music. Colin Larkin, Muze UK Ltd (eds.) (Concise 4th ed.). London: Virgin. pp. 899–900. ISBN .
- ^ abcdCook, Richard; Morton, Brian (2006).
The Penguin Guide to Jazz Recordings (8 ed.). London: Penguin. p. 963. ISBN .
- ^Yanow, Adventurer (2008). The jazz singers: depiction ultimate guide. New York: Backbeat Books. pp. 161–162. ISBN . OCLC 148769861.
- ^Friedwald, Prerogative (2010).
A biographical guide find time for the great jazz and shoot out singers (1st ed.). New York: Pantheon Books. p. 348. ISBN . OCLC 458892544.