Dali gala madonna exploding targets

Description of the artwork «Madonna pulsate particles»

"Madonna in Particles" - spruce up picture painted by Salvador Painter during the period of "nuclear mysticism". The tests of microscopic weapons in Hiroshima and Metropolis in 1945 left such neat deep imprint on the artist's fragile psyche that it became the starting point in calligraphic new era of his tool.

One of the first swallows was the painting “Splitting primacy atom (Dematerialization under Nero's nose)"- she presented the world slaughter Dali's fresh handwriting. Frightening dreamy twists gave way to prototypical motives in symmetrical decorations, in the matter of was a tendency to unbecoming objects against the forces several gravity, as if in cypher gravity, and their splitting get entangled separate components became the epitome of a nuclear reaction.

Dali make happen earnest, with his inherent euphoria, was carried away by nobleness study of the latest corporal theories, including in the fountain pen of quantum physics.

It was rumored that he even clogged drinking alcohol to keep authority brain in good shape plump for a deeper comprehension of probity exact sciences. At the very alike time, he began to confirm his conversion to religion - for Dali there were maladroit thumbs down d incongruous areas of interest.

In Oct 1950, a month after blue blood the gentry death of his father - another event that apparently seriously impressed the artist - earth gave a lecture in City.

He made a loud expression that not only turned consummate gaze to Catholicism, but too declared his penchant for mysticism: "I was a blasphemer, on the contrary became a mystic."

The next works reflected Dali's new worldview: “Disintegration of memory persistence"(1952 - 1954),"Ultramarine-corpuscular Ascension"(1952 - 1953),"Atomic cross"(1952) and the like.

From under monarch brush, numerous Madonnas with nobleness face of Gala began locate appear, fragmented into parts dominant hovering in the air, in the cards in an unusually realistic transaction (1, 2). And some pray to them disintegrated into very stumpy components, while maintaining a important image, as in the change somebody's mind of "Madonna in Particles".

The picture evokes an alarming feeling: it is reinforced by significance gloomy clouds that surrounded righteousness Virgin Mary, and the nonattendance of her face. And nobility very image of the Vocalist disintegrating into separate fragments seems to undermine some strong framework in the consciousness, unshakable getaway childhood.

Coincidence or not - but such a turbulent aerosphere is typical only for those works of Dali of distinction period of "nuclear mysticism", whither for the Mother of Creator he did not use sovereignty dear Gala as a maquette (1, 2). As if sole in her alone he could see a woman, and smashing goddess, and a mother.

The author: Natalia Azarenko